A dynamic and slow tar installation whose appearance and presence will change the exhibition as a living drawing. A game to control the material is doomed to failure. The natural tendency of tar to be interpreted gives work an independent lifespan out of the desire for stability and balance. The abstract and three-dimensional drawing stretched and crawled was destroyed and rebuilt. Working with unexpected materials like tar, shifting them and disrupting what is original, turns a contemporary visual look at concepts and issues like time, weight, physicality, movement and variability.